Vanishing Point

October 7, 2018 § Leave a comment

Vanishing Point 6 (Breenbergh) graphite on embossed paper, 2018

Detail, Vanishing Point 6 (Breenbergh) graphite on embossed paper, 2018

Photo: Chris Keenan

 

Jerwood Gallery

Vanishing Point opens 20th October and confronts the issues of race and representation in art from the Old Masters through the present day.

Walker is interested in issues of class and power, gender, race, representation and the politics of how we look at others. She makes portraits in a range of media and formats – from small embossed works on paper to paintings on canvas and large-scale charcoal wall drawings – in order to explore social and political issues.

For Barbara Walker: Vanishing Point the artist has selected two paintings from the collection of the National Gallery, London that are displayed alongside her own drawings in order to highlight cultural differences in historic and contemporary societies. The Banquet of Cleopatra by Tiepolo and A Homage to Velázquez (about 1692-1700, by Giordano both feature Black figures. The loans are made possible through the Weston Loan Programme with Art Fund, an initiative created by the Garfield Weston Foundation and Art Fund.

Walker’s work depicts subjects who are often cast as minorities, inviting the viewer to look beyond the anonymising act of categorising or classifying citizens. Her pictures make visible the lives of others, and address the allusions associated with the labels conferred upon people by society. By exhibiting the National Gallery loans with her own drawings of Black Subjects, Walker is showing these historic works in a fresh context, drawing attention to the figures that are usually overlooked.

The exhibition is the outcome of the Evelyn Williams Drawing Bursary awarded to Walker in association with Jerwood Drawing Prize 2017 and has been made possible thanks to a grant from the Weston Loan Programme with Art Fund, an initiative created by the Garfield Weston Foundation and Art Fund. It is specifically designed to directly fund and empower regional and smaller local authority museums to borrow major works or collections of art from the UK’s national museums and galleries. The fund enables wider access to works from the national collections for audiences across the UK, strengthening the skills of museum professionals and distributing resources.

Jerwood Gallery Director Liz Gilmore says “This is a trail blazing exhibition for Jerwood Gallery. It is rare for a regional gallery to borrow such important historical works from a national institution and we have never had an art work older than the late 1800s in the gallery. Barbara Walker is a fascinating artist who will bring to Jerwood Gallery a previously under-represented voice.”

Philippa Charles, Garfield Weston Foundation director said: “We have been blown away by the ambition and creativity of museums and galleries across the UK taking part in the Weston Loan Programme with Art Fund and Jerwood Gallery’s idea really stood out. Working with a contemporary artist to show masterpieces from The National Gallery in a new light is both innovative and inspiring, and we encourage everyone from Hastings and beyond to see this exhibition.”

Private View 19thOctober 7pm- 9pm

 

 

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A Slice through the World: Contemporary Artists’ Drawings

June 5, 2018 § Leave a comment

Modern Art Oxford and Drawing Room, London, jointly present A Slice through the World: Contemporary Artists’ Drawings, a group exhibition that celebrates the sustained power of drawing in the digital age. The featured artists across the two-venue group exhibition are ruby onyinyechi amanze, Nidhal Chamekh, Milano Chow, Kate Davis, Karl Haendel, David Haines, Ian Kiaer, Ciprian Muresan, David Musgrave, Wura-Natasha Ogunji, Kathy Prendergast, Massinissa Selmani, Lucy Skaer and Barbara Walker.

Exhibition dates at Drawing Room: 13 June – 5 August 2018

Join us for our Preview Party on Friday 15 June to celebrate the opening of the exhibition. Find out more.

Untitled (2018) graphite on embossed paper 63 x 46 cm

Photo: Chris  keenan

 

REFORMATION

April 10, 2018 § Leave a comment

I Was There!…( 2018) pen and ink, gold leaf, digital image, vellum, 48 x 38.5 cm

Photo: Chris Keenan

jpegGuest Projects presents Reformation

Kashif Nadim Chaudry    Michael Forbes    Barbara Walker

03 May – 21 May 2018   Opening times 12noon – 6.30pm

Private View 03 May 2018, 6 – 9pm

Reformation presents the work of three artists who unearth hidden histories. Their work proposes alternative narratives that expose and undermine cultural assumptions. In an exhibition that includes sculpture, installation, and drawing, Reformation explores racial, sexual and personal identities within historic economic and cultural currents that still shape our world today.

All three artists share an interest in remodelling and remaking, using techniques that range from pencil drawing directly onto gallery walls, to the use of textiles and found objects that range from skulls to fake designer handbags. The work of Michael Forbes and Barbara Walker was shown at last year’s Venice Biennale as part of the Diaspora Pavilion, an initiative of the International Curators Forum. Khasif Nadim Chaudry has recently completed a major new commission, The Three Graces, for Turner Contemporary, where he spent a year in residence.

Khasif Nadim Chaudry was trained at Goldsmiths. He uses elaborate, textiles based techniques to create monumental installations from fabric and found objects. His work is concerned with power, the sacred and the ceremonial; he situates his sexuality as a gay man within different religious and political contexts. For Reformation he brings together medieval heraldry and Islamic decoration, creating a louche cast of characters in fetishistic finery to question ritual, custom and belief.

Michael Forbes presents a series of sculptural tableau informed by the entwined political and social histories of Africa, the Caribbean, America, and Europe. Bleeding at the edges and erupting from their formal plinths, tribal masks jostle with historical porcelain figurines and disembowelled electronics. Forbes is concerned with migration – of objects, and of the people who have become refugees. His work alludes to the conspicuous consumption of the new economic empires, as well as the arbitrary cultural acquisitiveness that created historic museum collections. Forbes’ work invites a dialogue on both the post-colonial black presence in Europe and new developing Diasporas.

The visceral drawings of Barbara Walker bring to life the forgotten histories of black servicemen and women in the British Armed Forces. Monumental drawings, often large scale and rendered directly onto gallery walls, powerfully document the erasure and cultural negation of black combatants. In other works these figures are embossed on paper, their ghostly pale shadows a vivid contrast with their meticulously illustrated cohorts, resulting in an optical tussle between absence and presence. Graphite and blind embossing techniques draw attention to the fluidity of history, the way it is made, erased and redrawn, and how its figures are repositioned over time. Unearthing these invisible but true stories, of lives given and indelibly altered in the name of Empire, is a particularly poignant endeavour during the last centenary year of the Great War. Walker’s work is an affecting reminder of the social, political, cultural and individual histories that have been expunged from our collective remembrance.

“The history of the art movement in the UK has always been about artist interventions in the form of group shows framed around the currency of artistic chronicles and for me: Reformation will be a historical marker and a must-see event. It is one of many chapters of a story of how Michael Forbes and Barbara Walker project has emerged from a two-year strategic intervention programme that explored the artistic, challenges, changes, disruptions, and interventions that occur across the global art worlds and documents these processes to allow established, future and emerging artists from a variety of different backgrounds and experiences to discover, learn and develop their professional practice.” David A Bailey MBE

Guest Projects is an initiative conceived by artist  Yinka Shonibare MBE which offers the opportunity to artistic practitioners of any artistic discipline to have access to a free project space for one month. Guest Projects provides an alternative universe and playground for artists. It is a laboratory of ideas and a testing ground for new thoughts and actions. www.guestprojects.com

www.michaelforbes.org.uk

www.kashifnadimchaudry.com

www.barbarawalker.co.uk

Guest Projects address: Sunbury House, 1 Andrews Road, London E8 4QL

Nearest Tube: Bethnal Green: Nearest Overground: Hoxton. Buses: D6, 26, N26, 48, 55, N55, 106, 388, 236, 254, N253 and 394

Guest Projects is fully wheelchair accessible

Funded by ArtsCouncil England

The Drawing Room| Artist Bursary 2017

January 2, 2018 § 1 Comment

7 August – 13 September 2017

https://drawingroom.org.uk/projects/barbara-walker-bursary-award-2017

Photographs courtesy, The Drawing Room,
Angela Davis and Ellie Tonna

 

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Transcended

June 6, 2017 § Leave a comment

 

Transcended: a new series of site-specific, large-scale ephemeral wall drawings depicting male and female soldiers from the Commonwealth in World War I. Connected to an ongoing series Shock & Awe, these works address the ritualistic aspects of war, rites of passage, the idea of rebirth and the social consequences of having fought for your country. The opportunity to be applauded, welcomed back, to be celebrated is negated in the case of black soldiers.

With the outbreak of the First World War, thousands of West Indians volunteered to join the British army on the basis that if they showed their loyalty to the king they would be treated as equals. However, in the beginning only white soldiers were allowed to fight, so the West Indians were relegated to carrying out arduous physical tasks, such as loading ammunition, laying electrical wires, digging trenches, and cleaning latrines for their white colleagues. Transcended provides the opportunity to re-dress the balance and celebrate the contribution of black soldiers to the two World Wars. The striking bold figurative drawings on the walls of the staircase celebrate the contribution of black soldiers to the World Wars, in particular that of soldiers from the British West Indian Regiment who died and were buried in graves in Taranto, Italy, following a mutiny that lasted four days in December 1918.

 

photo by Izzy Castro(2017) Transcended photo by Izzy CastroTranscended 2017 image by Izzy CastroTranscended 2017

 

Currently exhibited at the Diaspora Pavilion during the 57th Venice Biennale.

Diaspora Pavilion

Palazzo Pisani S Marina,

Venice.

13 May – 26 November 2017

Exhibiting artists:
Larry Achiampong | Barby Asante | Sokari Douglas Camp | Libita Clayton | Kimathi Donkor | Michael Forbes | Ellen Gallagher | Nicola Green | Joy Gregory | Isaac Julien | Dave Lewis | Hew Locke | susan pui san lok | Paul Maheke | Khadija Saye | Yinka Shonibare MBE | Erika Tan | Barbara Walker | Abbas Zahedi.

Diaspora Pavilion is curated by David A Bailey and Jessica Taylor and presented by ICF (International Curators Forum) and University of the Arts London. Supported by Arts Council England’s International Showcasing Fund.

Photo by  Izzy Castro

 

Diaspora Pavilion

April 6, 2017 § Leave a comment

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DIASPORA PAVILION

Wednesday 10th May, 2017  6-9pm
Palazzo Pisani Santa Marina, 30100 Venice, Italy
Exhibiting Artists: Larry Achiampong, Barby Asante, Sokari Douglas Camp, Libita Clayton, Kimathi Donkor, Michael Forbes, Ellen Gallagher, Nicola Green, Joy Gregory, Isaac Julien, Dave Lewis, Hew Locke, susan pui san lok, Paul Maheke, Khadija Saye, Yinka Shonibare MBE, Erika Tan, Barbara Walker, Abbas Zahedi
Curated by David A. Bailey and Jessica Taylor
Diaspora Pavilion is an exhibition showcasing nineteen UK based artists whose practice expand, complicate and destabilise our understanding of diaspora, while highlighting the continued relevance that diaspora as a lived reality holds today. 

Untitled

January 3, 2017 § Leave a comment

 

 

Launch Party: UNTITLED

13 January 2017, 6pm – 9pm

Exhibition

6pm: Launch event opens 
Complimentary drink on arrival
The CaféBar will be open all night with sets from DJ Nwando Ebizie

7pm: Welcome Speeches
Skinder Hundal (NAE, CEO) and the exhibition curators Paul Goodwin and Hansi Momodu-Gordon

9pm: Close

 

Exhibiting artists: Larry Achiampong & David Blandy, Barby Asante, Appau Junior Boakye-Yiadom, Phoebe Boswell, Kimathi Donkor, Evan Ifekoya, Cedar Lewisohn, Harold Offeh, Ima-Abasi Okon, NT, Barbara Walker

Produced by New Art Exchange and curated in collaboration with NAE by Paul Goodwin and Hansi Momodu-Gordon, UNTITLED: art on the conditions of our time showcases a leading generation of contemporary African diaspora artists in the UK. The show adopts a progressive stance on exhibition-making to allow new ways of thinking about art by African diaspora artists to emerge. In a bold move, fixed curatorial themes have been stripped out to create a stimulating space where artworks can be experienced more openly, and where the interplay between the artists’ practices can be observed. As the exhibition curators state, “This is not a show ‘about’ a coherent movement – instead it presents works by British African diaspora artists outside of the usual framing”.

UNTITLED displays a ‘snapshot’ of art today by mapping a variety of practice and medium, including socially engaged projects and the use of online gaming technology; to painting, drawing, performance, film, printmaking and bookbinding. The exhibition reveals the key concerns of artists working today, from shifting racial, sexual and gendered identities, to investigations of popular culture, social networks, history and conflict. UNTITLED features two brand new commissions by Larry Achiampong and David Blandy, and Barby Asante.

For more information about the exhibition, click here.